Urban architectures
Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.
Italo Calvino, Invisibles Cities
Since 2007 I experiment with coloring led directly to the synthetist style. I also play with shapes and materials through the collage applied to “urban design”. Strong textures, oppressive atmospheres, imposible perspectives…
Main colours used: coog grey, cream, light gold, warm grey, "buttermilk", deep gold, naples yellow green, brun van dick, neutral grey, rose de Venise...
Italo Calvino, Invisibles Cities
Since 2007 I experiment with coloring led directly to the synthetist style. I also play with shapes and materials through the collage applied to “urban design”. Strong textures, oppressive atmospheres, imposible perspectives…
Main colours used: coog grey, cream, light gold, warm grey, "buttermilk", deep gold, naples yellow green, brun van dick, neutral grey, rose de Venise...
Women without face
Her heart was a secret garden and the walls were very high.
William Goldman, The Princess Bride
A four pictures collection focused on women body.
Silence, intimity, slow movements, waiting for something...Theese attributes envolve the oppresive athmospheres of this serie.
Main colour used: coral, turqoise, warm grey, greenish blue, manganese blue phtalo...
William Goldman, The Princess Bride
A four pictures collection focused on women body.
Silence, intimity, slow movements, waiting for something...Theese attributes envolve the oppresive athmospheres of this serie.
Main colour used: coral, turqoise, warm grey, greenish blue, manganese blue phtalo...
Surrealism paints
...he felt the whole vision turn to darkness and his very feet give way. His head went round; he was going; he had gone.
Henry James, The Jolly Corner
A personal exploration of the human dreams and unconsciousness.
Main colours used: almost everything.
Henry James, The Jolly Corner
A personal exploration of the human dreams and unconsciousness.
Main colours used: almost everything.
Contemporary classical
Art must be an expression of love or it is nothing.
Marc Chagall
Impressionism and expressionsim are ones of my primary references in visual arts. Tributes -more or less successful- of some of my favourites artist: Klimt, Gauguin, Monet, Manet, Pissarro, Chagall, Picasso, Degas...
Marc Chagall
Impressionism and expressionsim are ones of my primary references in visual arts. Tributes -more or less successful- of some of my favourites artist: Klimt, Gauguin, Monet, Manet, Pissarro, Chagall, Picasso, Degas...
Abstract Art
We have art in order not to die of the truth.
Friedrich Nietzsche
Nowdays I back to the purity of acrylic on canvas, reinventing color again. Generating patches and geometric patterns to transform them into solid and structural paints. Inner and external vision would therefore connected in an indissoluble whole.
Welcome to my world!
Neon collection
Colors, like features, follow the changes of the emotions.
Pablo Picasso
Brightly glowing, electric, multicolored, lighting, flashy, chemical, vivid, reflective, eye-catching...
Main coulour used: permanent red purple, azo orange, rouge pyrrole, carmine, greenish yellow, reflex rose, ultramarine
Pablo Picasso
Brightly glowing, electric, multicolored, lighting, flashy, chemical, vivid, reflective, eye-catching...
Main coulour used: permanent red purple, azo orange, rouge pyrrole, carmine, greenish yellow, reflex rose, ultramarine